The Reading Group focuses on five women who meet monthly to drink wine, have nibbles, gossip and – oh yes – discuss the classics.
In December they are reading A Christmas Carol and Grace’s life seems to be taking a curious parallel to Dickens’ classic story! Spooky!
In January they are reading Jane Austen’s Emma – and this time it’s Anne Marie who’s the focus of the story. Like Emma, Anne Marie fancies giving Cupid a run for his money. But matchmaking isn’t really her forte!
In February they are reading Lady Chatterley’s Lover. Oh and Kate has a handsome builder in renovating her kitchen. Hold on to your hats, ladies.
In March, Daphne du Maurier’s Rebecca is the book of the month. Jojo has a new man in her life. She is starting to worry that there may be certain parallels between her life and Daphne du Maurier’s heroine. Age gap romance and ancestral homes spring to mind.
December, which is a short story, is free for your kindle. You can download it HERE.
If you’d rather read the December story on paper it’s also in the January edition of the Woman’s Weekly Fiction Special, which is out now.
Each novella in the Reading Group series is 99p. Less than the price of a mince pie and guaranteed not to make you fat. I wish I hadn’t written mince pie. Now I’m going to have to eat one.
I asked Della a couple of questions regarding the writing of a series:
Q: Did you know the characters’ endings when you started?
A: No, although I did know some elements of the plot because of the nature of the project.
Q: And how were you able to plan for that across a set of six books eg if a character’s story ends in book six were you able to sow the seeds of that ending way back in book one?
A: I’m not er hem – a planner. I don’t plan. I just head off in a direction. In this series it was no different. I sowed some seeds and then I had to resolve them. This got harder as the series progressed.
Interestingly though, I find that the limitations set by working like this are helpful to me. Because very often I have to come up with creative endings that I would never have been able to plot out in advance. My brain just doesn’t work like this. There does have to be a story arc but I also rely heavily on themes. One of the main themes in this series is Friendship. Family is there also, and so is Love.
Whatever the weather, she stands in her setting, lets her imagination run riot and listens to the voices of those who have passed through the place before her. OK; so you may not be able to stand in exactly the right place, especially if you’re writing Sci Fi, but you get the idea – woodland in the rain, sandy beach in the wind, any stately home, castle or gallery may do and even a car park in hot sunshine. ‘See the vista through their eyes.’ Chris Cleave told us of his characters. As James Marrison suggests; a good walk is soothing when the writing gets tough.
Individual guides dotted around historic sites or animal park keepers are only too keen to depart with their knowledge. Don’t be shy about asking them either they spend most of their time with people who don’t need to know and then you come along wanting nothing more than to hear their stories. You may not come away with a file full of research, but you’ll most likely pick up a snippet and definitely a feeling.
‘Absorb the voices around you and let a hint of the waffle remain for believability’, she advises. So, buy a coffee and nurse it till its cold whilst you listen in on the conversations around you. ‘Carry out your market research.’ said Della Galton. Sit in a waiting room and read the magazines.
Since she started writing, the magazine short story market has shrunk. Now there are only 7 magazines that can be submitted to, with some on-line. Successes feel great but they can be sporadic. As can the income.