The Society’s evening’s proceedings commenced with Dr Judith Heneghan (2018 Winchester Writers’ Festival [15-17thJune] director), who in a brief slot outlined the extensive programme of events planned for this year. The festival’s Keynote Speaker is to be novelist and playwright, Patrick Gale (A Perfectly Good Man, The Whole Day Through and the Richard and Judy bestseller Notes From an Exhibition) who is headlining a festival aimed at extending a panoply of writing opportunities. Whether one is interested in crime or thrillers, contemporary, historical or literary fiction, fantasy and speculative work, poetry, scriptwriting, nonfiction or writing for children up to YA there is something of interest. Bursaries, including ten free scholarship weekend packages for writers aged between 18-25, are available on application. There are also full scholarship packages for writers of any age involved in producing work for children generously funded by the Lindsay Literary Agency. Finally, a number of £50 bursaries, again for writers of any age are available to apply for. Further details, too numerous to include here, are available at the Winchester Writers’ Web pages.
Special Guest: Margaret Graham
Due to address the society last June, Margaret Graham found herself indisposed as a result of an unfortunate domestic accident and those in attendance at that original meeting heard instead from Tracy Baines. This time around Tracy found herself part of the audience and so it was with great pleasure that Gary Farnell finally welcomed Margaret to April’s gathering. Margaret started her talk by echoing Judith Henaghan’s message about the benefits of attending this year’s Winchester Writers’ Festival but the main theme of her talk was to do with writing craft focussing on the specifics of structure.
A novel way of underscoring the points that Margaret was keen to share was by drawing on the fairy tale Cinderella. It became apparent that this relatively simple and much-loved story relies on the well-established components of the universally common structural story form that Margaret was insistent must be adhered to. These are:
- Plot and Subplot
- Tension and Conflict
- Unique Voice
It is not sufficient, we were told to have one main plot (which in this example is Cinderella’s emancipation and marriage) there is also a need to have subplots operating within the narrative. The Ugly Sisters machinations, cruelty and jealousy, ultimately thwarted during the climax of the story, offer intriguing and tension-filled counterpoints to Cinderella’s journey from domestic enslavement to high marriage. The characters are all easily distinguished from each other but crucially, Cinderella’s a mentor Buttons also acts as a moralistic example of self-sacrifice balancing the amoral Sisters behaviour.
Cinderella’s motivation for action is her desire to ‘go to the ball’ and the reader starts to root for her and to discover if she succeeds and overcomes the injustices that she is faced with. For it is injustice that is the underlying theme of the piece, as such one of the universal human experiences is investigated allowing the reader to empathise with Cinderella’s predicament. Of course, there are several points in the arc where it is far from certain that there will be the happy ending that everyone craves and this gives rise to the all-important element of tension that every good narrative arc requires to succeed. Exposition comprises of the information contained in the action wherein the reader discovers the nuances of the story. The story must drive forward never standing still and thereby risking stagnation and reader-indifference. In terms of unique voice, each writer will bring an element of this to their own work and thereby set it successfully apart from others within and outwith their chosen genre
Keynote Speakers: Mayor David McLean, General Sir Tony Walker and Caroline Scott
Hyde900 is a community project, originally established to celebrate the 900th anniversary of the founding of Hyde Abbey, continues to develop and has now evolved into something that has become an integral part of the cultural fabric of Hyde in particular and Hampshire more generally. Caroline Scott and General Sir Tony Walker, supported by the Mayor of Winchester David McLean, spoke of the Hyde Soldiers Initiative, a part of the wider Hyde 900 project part of which seeks to research and document the lives of the soldiers of the First World War who are commemorated in St Bartholomew’s Church, Hyde.
Through her involvement in the Soldiers of Hyde initiative, Caroline has become affected by the soldiers’ individual stories and has researched the particular story of James Lovelock. James’ surviving relatives made it clear to Caroline that whilst there is a national incentive to memorialise the mass of casualties from the wars there is a dearth of will to find out about individuals involved.
Apart from collecting information on regiment, rank and age, Caroline is keen to explore the personal stories behind the names, to bring to the attention of those living in Hyde today, a concept of how the community was directly affected by the terrible events of the time. Caroline asked that those interested joining a working party or who enjoy research could become involved in what promises to be a fascinating task, of collecting and collating relevant details to further the aims of the project. Equally, if anyone has any information on any of the soldiers who so sadly did not return, all leads are welcome at this initial stage.
With this theme in mind, General Sir Tony Walker to the mic to highlight the current Hyde 900 theme of ‘Homecoming’. He spoke of how having access to poetry during his time as a career soldier was a great source of inspiration and comfort and in light of that introduced the forthcoming poetry competition on the theme of ‘Homecoming’. He and his colleagues encouraged participation from Hampshire Writers and everyone looks forward to reading lots of entries. Again, further information is available by visiting the Hyde 900 online.