A Bond of Brothers (and sisters)


HWS blog is going Guildford this time to meet the Hogs Back Writers. Fellow writer and Winchester Writers’ Fest goer, Richard Fuller is our inspiration, here he tells us what Hogs Back Writers get up to at their meetings:

Hogs Back Writers’ Village Hall

We walk up the unlit, unmade, muddy lane, past mouldering gravestones and uncut grass, a bitter winter wind at our backs, before climbing the steep uneven steps at journeys end.

No, not the beginning of a novel, but the path from the car park to Hogs Back Writers regular meetings in a small village hall, between Farnham and Guildford. Why so remote? The answer is long gone. I’ve been a member for nigh on ten years, and the group was old then. I can give the reason for us staying, the hall is cheap and convenient(ish), though on a January night…

So why belong to a writer’s group, and why Hog’s Back?

I’ll answer those questions in reverse order to explain the benefits of our great little group of seventeen members, which include two published, and another two agented authors. Nearly everyone is writing novels, with a couple of exceptions in non-fiction. There is no poetry and only the occasional short story. Nearly everyone has managed to complete a first draft, we are all in the same metaphoric boat.

Writing, we know, is a solitary business, hours locked away with just a keyboard and spell check for company, but it needn’t be. I look forward to seeing my fellow writers. We share our problems, discuss sticky plot points, get considered feedback on our hard penned words. Not the ‘Lovely, dear,’ from friends and relatives, who think you need to be humoured.

Why Hogs Back? We meet most Mondays for critique of manuscripts. Bring along up to 2500 troublesome words, hand out half a dozen printed copies and read out your worries. The printouts are marked up with whatever anyone feels appropriate, and a ten minute discussion (not hard and fast) follows, in which members describe what they liked and where things might be improved. Of course it doesn’t always work, one person may say they thought the “voice” was perfect for the character, and the next may well suggest the opposite. But at least it gives you, the author, something to think about.

Our biggest benefits though, are not just in the critique. Every third Monday we lock away the manuscripts and meet in a pub, aptly named The Good Intent, to have a themed chat about writerly things, such as character, viewpoint, plotting, book blurbs, or anything else bothering us. These nights are some of the most useful things we do.

Then there are the Jellies.  We hold them a couple of times a year in a local hall. A writing day with quiet distraction-free time and a social buffet lunch. More recently we’ve taken to holding Trifles as well. Oh come on, a trifle is like a Jelly but more complicated- it’s a writing weekend. We have used the same large house in Margate several times, lots of bedrooms and writing spaces, sea views, and the companionship of fellow writers, oh yes and wine, lots of wine.

We also offer each other much needed support with such painful topics as synopses, and agent letters. We celebrate member’s successes and awards. We occasionally have guest speakers and of course there is the annual Christmas party with it’s hard fought flash fiction competition, mince pies, and, dare I say, lots of wine.

So that is Hogs Back, a very sociable addition to the solitude of writing. But please don’t rush to contact us, we are not looking for new members right now…

Post by Richard Fuller

 

CHINDI

The Winchester Writers Fest, attracts attendees from all over the world and a week ago on Saturday, Karin and I met up with many of them. So, for the next couple of posts, the blog is going to branch out into our surrounding counties and hear some of their inspirational stories

CHINDI (Celebrating and Helping Indy authors) is a network of independent authors based in West Sussex. Running online and live events, sharing ideas, expertise and contacts, they encourage independent authors to follow their dreams by supporting them in the creation of excellent printed, ‘e’ and audio books, followed by marketing, promotion and selling opportunities.

Helen Christmas, member of CHINDI and author of five self-published romantic thriller suspense takes time out from event organising at the Festival of Chichester to tell us a little more about them.

CHINDI Members at the Southern Book Fair

It is CHINDI’s belief that independently published books are as valid and exciting as those produced the traditional way; the authors have the same expectation and levels of excellence in production values and gripping content.

CHINDI works with retailers, media and event organisers to promote our member’s books, working in harmony with traditional agents and publishers.

The advice on offer comes from authors who have been there, done that. Answering many and varied questions, the likes of: Where do I find a good proofreader? How do I produce an e-book? What the heck is an ISBN? We share what worked and what didn’t through our private Facebook page CHINUP.

Members support each other through social media campaigns. We attend events, hold our own panel discussions and library talks, we regularly run competitions and blog tours too promoting our books. CHINDI has supported charities including Dyslexia Action, Words for the Wounded and Cancer UK.

A very enthusiastic group of authors, we encourage members to actively support each other as much as possible, whether that be simply reading each other’s books and manning book stalls or joining in our events.

At the Arundel Festival

New members are invited to join the CHINDI Facebook group, Chinup, where we share resources, such as self-publishing tips, seminars and blogs, anything to help with promotion. We follow each other on Twitter too and have a CHINDI account which is an easy way to share content.

We occasionally have meetings by zoom online conferencing!

The benefits of being a member are numerous but here is some information from our website:

Profile on CHINDI Author Website,
Have your books listed by genre in our Readers Section,
Join our CHINUP Facebook page for online discussions, sharing promotions and networking,
Eligibility to upload own videos/book trailers to Chindi Youtube Channel,
Inclusion in media PR programme,
Speaking opportunities at events,
Sales opportunity at events and market stalls etc.
Access to database of writing competitions,
Inclusion in CHINDI quarterly newsletters,
Shared knowledge and experiences of the group,
Free feedback on proposed cover designs and early drafts (this is not a full proofreading or editing service but might suggest you need these)

Chindi is set up as a not for profit Community Interest Company. Fees go towards hosting the website, booking rooms, funding promotional material etc. Find out about membership and events at https://www.chindi-authors.co.uk/

Festival Season – Writers are no Exeption!

The HWS stand spent last weekend at the Winchester Writers’ Festival. The festival, if you’ve ever been, is one exhilarating time. Friday night is spent debating discussions, before thrashing out the open mike. See Damon’s blog spot of April 29 Ends – Bar the Shouting in the Terrace.

Back to back workshops run all day on the Saturday, stopping only for a short lunch. But one-to-one appointments booked with any one of up to thirty agents, editors, writers and publishers continue throughout – there is so much to think about. And it’s all nourishment for a writer’s mind, inspiration stimulating the imagination. Its bliss! The fresh faces that started the day are, by tea-time blushed with unspoken ideas, itching to get onto the page. That’s all before socialising once again at the sumptuous evening dinner.

This year a well-deserved memorial to our beloved Barbara Large, the founder of, not only the Hampshire Writers’ Society, but the Winchester Writers’ Festival too, took place in the on-campus chapel at six o’clock. It was somewhat satisfying to discover what a foodie Barbara actually was. Long live the Luscious Lasagnes!

The Winchester Writers’ festival can be credited with the creation of so many new friends and contacts. A writer’s life need not be so lonely after all. Travel, trips abroad and holidays were one mainstay of the HWS stand, intriguing stories were another and of course, vampires! Oh, and writing

All in all, twenty-five new names have been added to the HWS lists. Welcome all! We so hope to meet you again in September. In the meantime – stay right here!

Ends – Bar the Shouting in the Terrace

Author Damon L Wakes

The Winchester Writers’ Festival sees visitors from all over the world drawn to its weekend of talks, workshops, and one-to-one meetings, and they pay a pretty penny to be there. But did you know that some portions of the Festival are open to the public 100% free?

Turn up on Friday 14th June, and you’ll be able to enjoy the full range of evening events on offer, including an open mic where you’ll have the chance to hear the work of local authors, as well as those from farther afield. And if you’re feeling up to it, you can even share something of your own!

The open mic runs from 21:00 to 23:00 in the Terrace Bar Lounge, and is perhaps the best opportunity to meet like-minded writers at the Festival. After all, it’s unlikely that anyone is going to spontaneously read out their work over lunch! It’s also a particularly good chance to practice reading in front of an audience: an essential skill for book launches and other author events.

These free evening events are perfect for anyone already living nearby, offering a taste of the Festival’s activities without any of the cost. If you’d like to read at the open mic, be sure to sign up as early as possible on the day as slots fill up fast. For those living in Winchester, it may be worth visiting the Stripe Building foyer to get your name down in the morning (and perhaps making use of the trip to look around the book fair while you’re there) so that you’re sure of a slot when you return. For those making a journey in, that likely wouldn’t be practical but you can still get in ahead of everyone who signs up at the start of the open mic by putting your name on the sheet before the other evening events.

The Stripe Lecture Theatre

The other free offerings on Friday 14th are a panel on writing for children and young adults (in the Stripe Lecture Theatre) and a talk by three Salt authors celebrating the publisher’s 20th anniversary (in the Stripe Auditorium). Both these events start at 19:45, so you’ll have to pick your favourite!

If you find you enjoy the Winchester Writers’ Festival open mic, you may also be interested in Poetry Platform, a similar event that runs on the first Tuesday of every month, 20:30 at The Railway Inn. Outside of Winchester, your other open mic options are Write Side of the Tracks (7pm on the third Tuesday of every month at Steam Town Brew Co in Eastleigh) and Write a Note (7pm on the last Thursday of every month at Caskaway, Southampton). These are typically billed as “poetry nights,” but they’re equally welcoming to prose writers and every bit as supportive as the Winchester Writers’ Festival.

Post by Damon L. Wakes

https://damonwakes.wordpress.com/

Damon L. Wakes is the author of Ten Little Astronauts, Face of Glass, and over 200 works of flash fiction, which can be heard at events across the UK.

 

Snegurochka to Winchester

Dr Judith Heneghan, Creative Writing Senior Lecturer, Programme Leader for the MA Writing for Children and award-winning children’s writer, has returned to the beginning. Her first contemporary fiction for adults, Snegurochka, has been published.

Snegurochka, an English mother’s experiences in newly independent Kiev, is to be published by Salt with a release date of 15 April. Another first for Judith was seeing it for sale on P&G Wells’ stand in the foyer at April’s Hampshire Writers’ Society meeting:’A very special moment for any writer,’ she says.

It was at the Winchester Writers’ Festival that Judith met her editor and publisher. A writer needs to be part of a community, a convergence of like-minded writers, a portal into the world of publishing. Hampshire Writers’ Society is one such community and The Winchester Writers’ festival provides another.

Recently retired as Director of the Winchester Writers’ Festival, Judith intends to concentrate on the activity of actually doing the writing.

Sara Gangai will very capably follow in her footsteps, but before she commenced her talk to us, Sara paid tribute to Barbara Large, founder of both the festival and the Hampshire Writers’ Society. ‘Barbara’s voice, with its feisty nature and inability to say the word “no”,’ Sara said, ‘is a constant in my head, reminding me to be considerate, kind and inclusive to all writers.’ A memorial service for Barbara will be held in the University chapel on the Sparkford Road Campus on the Saturday of the Festival. ‘Barbara’s spirit will be “chuffed” to be there,’ Sara laughed.

The Festival will be held on the weekend beginning 14th June. Enterprising writers will be given the chance to build up a network of writing friends and contacts; ‘People come from all over the world,’ Sara advised us.

Friday sees two panels running along-side each other on both floors of the Stripe.
Let your hair down afterwards at the open mike in the Terrace Lounge right next to the Terrace bar before the knuckle down of Saturday begins.

The day begins with the plenary speaker, award-winning children’s author, Katherine Rundell. Tickets for this event alone can be purchased. The rest of the day is filled with a variety of workshops, tea, cake and an on-tap agony aunt! Seventy or so industry specialists will be in attendance and the opportunity of a fifteen-minute, one-to-one interview with one or two of them will prove invaluable.

Sunday forms a writing workshop, ‘a chance to put into practise everything that you learned on the Saturday,’ Sara tells us.

Tickets are selling fast. The community created by the Festival will be abuzz with writers. It really is a must just to be around so many friendly faces. Please do come along – it will be wonderful to meet you.

Report by Lisa Nightingale

Beverley Birch at Hampshire Writers’ Society

Report by Peter Hitchen

The Society’s April gathering hosted two exceptional women writers, both ideally placed to talk with insight and experience about the very specific nuances and skills involved in the subject of writing for children.

Special Guest: Judith Heneghan

Being the Director of the Winchester Writers’ Festival and a highly regarded and extensively published specialist of children’s literature, Judith Heneghan was ideally placed to open Tuesday’s proceedings.  Judith is a Senior Lecturer and also a Programme Leader on the University of Winchester’s Creative Writing provision where she has taught since 2006.  To date she has written 50 nonfiction books as well as feature articles, novels and shorter fiction for children.  Previously to her role at Winchester, she worked as a commissioning editor of adult nonfiction and a freelance editor of children’s nonfiction.

Judith’s enthusiasm for Winchester’s annual Writers’ Festival was infectious.  She explained that its aims for this year were to build on its past successes and to inspire, encourage, educate and to facilitate learning for all the delegates. Networking opportunities for novice and experienced writers attending this year’s festival will be more extensive than ever, as will the list of contributors from the greater writing world.  Contributors will include luminaries from some of the best known publishing houses and literary agencies in the country as well as the wonderful author and broadcaster, Lem Sissay.  Further information about the planned programme, along with competition and other details can be found here: http://writersfestival.co.uk/

Main Speaker: Beverley Birch

Beverley Birch is a prolific author of critical acclaim having produced in excess of forty books.  Her prodigious output includes picture books, novels, biographies and retellings of Shakespeare.  Her publications have been translated into more than a dozen languages.  They are in the admirable position of being amongst the top ten per cent of books borrowed from UK libraries.

Beverley’s own childhood years were spent in East Africa where the wide open spaces of Kenya afforded the opportunity for formative and adventurous experiences largely free from the interference of adults.  She eventually left Africa for England to study for ‘A’ levels before graduating from Cambridge University with a degree in Economics and Sociology.  After graduation she started to work as an editor and in 1981 she became a full-time writer.

As would be expected of someone with the breadth and depth of Beverley’s professional literary experience, her talk was packed with insights into what being a  writer entails and what writers have to do to produce work of real merit.  Of course, ‘merit’ in writing is a subjective quality but Beverley’s appraisal of what it really means was grounded in a plethora of practical and theoretical examples.  ‘We need to constantly refresh our understanding of why we need to write’ she told her audience and then explained that this writing should be centred on exploring the underpinning themes of the stories that writers create.  All stories, we were told, have specific, fundamental themes that should challenge child readers to see things anew. In doing this, it should enable children to reposition themselves in the light of these new, vicarious experiences.  But what are these themes?  They are many and varied and over her long career Beverley has seen all of the following underpinning the work that she has been involved in either as a writer herself or as an editor for others; love and friendship, loyalty and betrayal, redemption, loss, maturation, power, obsession and corruption are all on the list.

Beverly was at pains to explain that this was by no means a definitive list but that whichever of these themes was at the heart of a story,  they should be rendered in a way that is suitable and accessible for children.  The narrative gravity associated with these thematic issues should be apparent to discerning writers as they produce their work and this in itself is indicative of the fact that ‘writing for children’ is not a euphemism for dumbing down the literary responsibilities of the author.  If anything, these responsibilities should weigh more heavily on children’s authors than they do on those involved in other aspect of producing good writing.  Beverley said that children’s authors should ‘dive inwards in the process of writing and that in doing so they should trust their subconscious to render a story that is both important and transporting for the child’.  She concluded by offering some sage advice for those starting out on their publishing journey.  Writers should not write in order to seek or support the contemporary ‘hullabaloo’ that seems to be endemic in the contemporary literary scene for ultimately that hullabaloo is ephemeral.  Rather, writers should stay true to themselves and produce work that will endure beyond the here and now.

Surely this is what great writing is all about.

Crime at Winchester

Whether you write police procedurals, psychological thrillers, classic murder mystery or gritty crime noir, this year’s festival can help you twist the knife.

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Friday 16 June

‘How to Thrill and How to Kill’ – a highly practical all-day course with William Ryan, author of the Captain Korolev novels, shortlisted three times for the Irish Crime Novel of the Year. Learn the technical aspects of crime writing, the role of ‘the format’ and how not to underestimate your audience, with plenty of hands-on exercises.

Saturday 17 June

‘Learning the Language of Crime’ with novelist Helen Fields, author of Perfect Remains.

‘Whodunnit: How It’s Done’ with Linda Bennett, commissioning editor for crime fiction at Salt Publishing.

‘How to Get Published in a Global Market’ with literary agent Lorella Belli from LBLA.

‘The Agent’s Eye View’ with literary agent Diana Beaumont from Marjacq.

Then listen as novelist Helen Fields reveals how she drew upon her experience as a criminal barrister to write her thrilling debut novel Perfect Remains during the Saturday Festival Dinner.

Sunday 18 June

‘Tightening the Noose’ – an all-day workshop with novelist and BBC crime correspondent Simon Hall, author of the TV Detective novels. Explore how to use jeopardy and suspense to make your story compelling, and learn how to raise the stakes by creating characters who have everything to win or lose.

PLUS over a dozen agents and editors seeking to acquire debut crime fiction.

Interested in investigating further?

View the programme at http://www.writersfestival.co.uk

Allie Spencer’s Route to Publishing Via Winchester Writers’ Festival

allie-spencer[1]I always wanted to be a writer and, whether it was university essays, short stories or legal pleadings (I’m a lawyer by trade) I have always put pen to paper in one form or another. The idea of writing a novel, though, was rather daunting. As someone who read a lot of novels, it was probably inevitable that sooner or later I would have a go but…well…they’re quite big, aren’t they? And don’t they take a long time to write? Then, after a bit of research, I discovered that all people initially want to see of your novel are three chapters and a synopsis – and that instantly seemed a lot more manageable. So, with an idea in mind and a rough synopsis beside me, I booted up the laptop, opened a new Word document and typed ‘Chapter One’ at the top of the page.

Writing the novel was easier than I’d imagined. The flaw was that once I’d finished it, no-one seemed to like it. In fact, after the blood and – literal – tears sweated over it, the poor thing was roundly rejected by every single agent in the country. One publisher did ask to see the full manuscript but, after due and weighty consideration, they rejected it too. However, I’d been well and truly bitten by the bug and I duly began Book Two. Around this time, I heard about an event in Winchester called a ‘Writers’ Conference’ (now the Festival of Writing). Here, I was told, you could not only attend classes and workshops but you had the opportunity of pitching your work directly to agents and publishers. I signed up for a Saturday session and the most extraordinary things began to happen. I saw an agent and an editor who were both very enthusiastic about Book Two. Crucially, this gave me the confidence I needed to press on, get it finished and begin the submission process all over again. This time, the outcome was completely different: twelve months later, I had secured an agent and, the year after that, I had a two book deal. tug-of-love-150x243 ‘Tug of Love’ – formerly known as Book Two – went on to win the Romantic Novelists’ Association award for the best debut and was shortlisted for the prestigious Melissa Nathan Award for Comedy Romance.

The Winchester Writers’ Festival, though, is about more than publishing deals. Being an author is a lonely life and it is all too easy to let doubts creep in about your work or for you to feel isolated and unsupported in what is a highly competitive industry. Coming to Winchester allows you to be part of a writing family; a family where people want the best for you and will do what they can to help you succeed. Each Festival I have attended – whether as a delegate or, later, as a tutor – allowed me to come away recharged and enthusiastic. It is about meeting kindred spirits, finding your tribe and, most importantly, it is one of the best ways I can imagine to get your writing journey off to a flying start.

 

 

 

Judith Heneghan, Director of the Winchester Writers’ Festival

Report by Lisa Nightingale

When Judith Heneghan is asked to pick out highlights of the Winchester Writers’ Festival, she can’t. ‘It’s all a highlight.’ She exclaims, throwing her hands in the air.WincsWritersFest

The aim of the festival is to bring creative writers of all standards together to connect with many and varied specialists of the writing industry.

The festival takes place between Friday 17, 18 and 19 June this year.

Meg Rossoff
Meg Rossoff

This year’s keynote speaker is definitely a highlight. It is the rebellious Meg Rosoff who now not only writes YA.

Friday evening events are FREE, there is no need to book, just rock-up.

Hampshire Writers’ Society at the Winchester Writers’ Festival Book Fair 2015

Jun 15 WWF_0064It was another fantastic year for the Winchester Writers’ Festival. Hampshire Writers’ Society had a stand in the Book Fair as usual and made many new contacts as well as catching up with quite a few of our members and past speakers. Becky Bagnell of the Lindsay Literary Agency wished us well for the future.

Jun 15 WWF_0068Also, Judith Heneghan, Festival Director, stopped by for a chat. She went on to draw the winning ticket for a year’s free membership for the fifth season starting September 2015 until June 2016. The lucky winner was newly joined member Sue Davies. Congratulations Sue, we are all thrilled at the news.

Jun 15 WWF_0071Congratulations too, to our own Louise Morrish, another winner of our free membership competition for next season. Keep watching the website for the full programme and details of the competitions.

anthologyThis year the Society were proud to present their anthology, ‘The Best of 2011 – 2014’ which highlights reports, winners and adjudications over the first three years. I’m delighted to say it is selling like ‘hotcakes’ and we are halfway through our limited edition already, so please make sure you order your copy for £7.95 from the Membership Secretary on membership.hws@hotmail.co.uk

We look forward to welcoming you all back again in September.