Month: October 2022

  • Advice and Resources for Writers: Competitions

    This post is brought to you by author and longtime Hampshire Writers’ Society member, B Random.

    Build Confidence with Competitions

    Don’t be shy or afraid of them. They will get your name out there and if you place, they give you confidence in your writing. You can submit Flash Fiction, Short Stories, Poetry, even a whole novel if you have one ready, but make sure you read and follow the rules carefully. As I know well from my own experience, judging is always very subjective. It could just be down to the judge’s mood on the day so don’t take it to heart. If you have done a creative writing class you will know that everyone’s mind works differently and one prompt can spark a thousand ideas, and so it is with judges. 

    My recommendation would be to try the free ones first. HWS comps are a great place to start. Sign up for New Writing South and Writers Online who often list free ones too along with other local opportunities. BBC Writers Room is another place to keep an eye on.

    Once you have a few of those under your belt, aim higher and spend to go for the best known, prestigious ones with your best work, like the Bridport Prize, the Bath or Bristol Prize. There are millions out there, all set up to take your money for little reward so do your research and be canny about it. 

    Creative Writing Ink have a monthly free comp and a full list of international comps as well as help and resources.

    Good luck! 

  • Treasurer’s Report 2021/2022

    After a long year and a half dominated by COVID, in September 2021, the Hampshire Writers’ Society cautiously began a new season. COVID was still very much on all our minds and we weren’t sure if members would return.

    Our old treasurer stepped down, and I became the new treasurer.

    We also faced a new financial challenge. In previous years the University of Winchester had kindly permitted us to hold meetings in the Stripe Theatre without any charge. The HWS doesn’t have any formal connection with the university. In 2021, they decided we would have to pay for room hire.

    As a non-profit organisation, the Hampshire Writers Society aims to spend most of its income every year. In previous years, we sometimes made a small loss, sometimes a small profit.

    The cost of hiring rooms was a considerable new expense, and it wasn’t obvious we could afford it. We certainly couldn’t afford the Stripe Theatre.

    Income

    The HWS does not receive any grants or other external funding. Our income comes almost entirely from member subscriptions, with a minor contribution from sales of visitor tickets for talks.

    Member numbers grew steadily through the year, ending at over 90 members.

    Expenses

    Our major expenditures were on speaker fees and expenses, and on room hire. We kept spending on non-essentials to a minimum.

    Over the year, this is how your subscription fees were spent:

    Overall

    We ended the year with a small loss. This impacts our reserve (the savings we keep), so we start the next year with a bit less in the bank. However our reserve is still healthy; we aren’t about to go broke.

    Changes

    To increase our income, for the year 2022/23 we have raised the membership fee. To reduce expenses, we are lowering what we pay our main speakers, though we also decided to start paying a small fee to some guest speakers, which we feel is appropriate for the value they provide.

    Outlook for 2022/2023

    Unfortunately, in January 2022 the university raised the room hire charges. The changes to speaker payments should in theory deliver substantial savings (as much as half) , but we can’t be sure of that, as the expenses requested by speakers are unpredictable and sometimes larger than the fees. So we still expect to make a loss, though hopefully a small one.

    The good news is that with most of last year’s members renewing, we currently have over 80 members, and can hope this will grow through the year.

    So please remember to recommend the Hampshire Writers’ Society to your writing friends and acquaintances. Whatever their interest and level of experience, we love to welcome new members. And if they’re not ready to join, they can still subscribe to the newsletter just by entering their email address on our website.

  • Advice and Resources for Writers: Writing

    This post is brought to you by author and longtime Hampshire Writers’ Society member, B Random.

    Look after Yourself

    • Find a place conducive to concentration.
    • Drink – hydration is concentration.
    • Comfy chair with lumbar support, knees at right angles, feet flat.
    • Screen set so your eyes are central.
    • No distractions.
    • Read yourself into the mood.
    • Deep breaths to relax.
    • Don’t forget to get up and move every half hour or so, set a timer.

    Stuck?

    • We all have off days. Be kind to yourself.
    • Poetry is a powerful tool.
    • It’s liberating to free write; rant about the work, relatives or the state of the world.
    • It’s always useful to pick one character and write their childhood.
    • Sometimes it helps to derail your story.
    • If you write anything, the flow will soon burst through. That’s the quality stuff you’re after.
    • Remember, you are not alone. If all else fails, talk to another writer! We understand.

    Inspiration

    • Out and about, absorb what’s around you: atmospheres, settings. Think like a photographer. 
    • Take inspiration from people around you, odd dress, idioms, the smallest event.
    • Relish odd behaviour.
    • Eavesdrop shamelessly.
    • Indoors, try news stories. Think of the ripples that flow out from any incident. Explode norms. Twist expectations. Put yourself in the shoes of a Russian soldier with a broken tank, a stranded grandmother, a lost orphan. Alternatively, look back at old holiday snaps. 

    My Advice

    • Enjoy! (Bad vibes bleed through.) Indulge yourself in a scrumptious word feast. It’s good for you! 
    • Learn creative writing, make your work the best it can be. 
    • Write in scenes, like movies. Use your senses throughout. 
    • If you’re having a bad day, use it, write it out. Make it worse. Get ridiculous. Make yourself laugh. It’s therapy.
    • Join HWS and/or another local writing group. You could even form your own from classmates. Also join ALLI or SCWBI (for children’s) and use writer conferences.
    • Compete! Don’t expect to win. Judging is subjective but every bit of feedback is useful. Free ones first. Then go for the most prestigious, biggest ones. It’s all about your CV/exposure.
  • Haunting Historical Fiction – October Competition Results, adjudicated by Louise Morrish

    Following a wonderfully captivating evening of talks from literary agent, Jenny Savill and historical fiction author, Gregory Sayer, our competitions manager, Summer Quigley, read Louise Morrish’s adjudication, as below:

    ‘I was honoured and thrilled to be chosen to adjudicate the October competition. The brief was to tell the tale of an historic event and add a terrifically haunting twist. All in just 300 words. 

    This was a particularly challenging brief, as the stories not only had to give a glimpse into the past, but also send a shiver down this reader’s spine.  

    Writing historical fiction is a special challenge, even without trying to incorporate a haunting twist. Success rests with the details. If you can get the tiny details right, then authenticity naturally follows, and the reader is successfully transported back in time. It’s worth remembering that human nature hasn’t changed over the centuries. In years gone by, our ancestors felt the same emotions as we do today, they experienced life very much like we do, they fell in and out of love like we do. People in the past just wore strange clothes that were once in fashion, used expressions that may have fallen out of modern use, and perhaps ate meals we might barely recognise as food now.  

    So, it’s all in the detail… 

    Back to the competition winners…well done to everyone who entered, I had great fun reading your stories…’


    And the winners are…

    First Place: The Others Will Follow by Damon L. Wakes

    Second Place: Cause and Effect by John K. Miles

    Third Place: Hard Landing by John Quinn

    Highly Commended: Stag by Robert Stuart

    First Place: The Others Will Follow by Damon L. Wakes

    Even the title of this story was creepy. I could picture the bleak, frozen Arctic scene, all from the little details the author includes: the frost on the glasses lenses, the cold in the boots, the barking of the dogs. And then the author plunges the reader one step further into the icy tundra, by describing ‘the flaps of the sleeping bag frozen hard as armour plate.’ By using an old-fashioned sleeping bag (no zip!) and then describing the material in such a harsh, sinister way (frozen as armour plate) the whole scene is given a dark, authentic edge. Very well done. 

    A week’s travel north of One Ton Depot, he found the thought fixed in his mind. It was as ever-present as the frost on his glasses, the cold in his boots, the barking of the dogs. But it was Dimitri who said it: 

    “Do you think they’re behind us?” 

    The answer caught in Cherry’s throat. The team might have been just over the horizon when they gave up waiting. Perhaps if they’d dared to venture just a few miles south of the depot, they might have found them. Scott, Wilson, Oates, Bowers, Evans: they were out there somewhere on the ice, and now no one was coming. But Dimitri himself was getting worse—his right hand whitened and creased from constant exposure to damp and cold—so Cherry held back this reply. 

    “Could have missed them in the bad weather,” he said, instead. “Might be ahead.” 

    It barely mattered now, he supposed. They could hardly have waited longer then, let alone turn back now. Dimitri was in a bad way, and they had no more dog food but the dogs themselves. 

    Cherry had Dimitri light the spirit while he set the tent out over its bamboo frame. Later, despite a stomach full of pemmican and a warm drink, he lay awake. It was approaching the equinox, and he cursed the twelve-hour nights. It was all too horrible—he was almost afraid to go to sleep now. 

    Later, still sleepless, he was disturbed by the sound of boots in snow. Throwing back the flaps of his sleeping bag—frozen hard as armour plate—he stumbled out of the tent and saw a lone figure marching in the low light. 

    “Oates?” he called. “Where are the others?” 

    But Oates did not turn to face him. 

    “The others will follow,” came the reply. 

    Second Place: Cause and Effect by John K. Miles

    ‘This was a strange story, but in a good way. The author took the visceral, disturbing elements of an execution, and gave them a wicked twist. The author used some good details here – for instance, I particularly liked the ‘gleaming longsword’ that cut through a neck ‘much cleaner than an axe.’  

     The young queen shuffled from the Tower towards the fresh-cut oak scaffold, the scent of sap permeating the air as Father Thames sang a gentle song of farewell in the distance. Despite making her peace with God she was terrified, dazed as a young doe surprised in the woods. 
    The hooded executioner was short and plump, wielding a gleaming longsword rather than the traditional axe. 
    “An expert swordsman,” Cromwell had said. “It’s a final gift from the King. Much cleaner than an axe.” 

    Anne climbed the steep steps of the scaffold, determined to uphold her dignity, as she turned to face the crowd. Her uncle, Norfolk, was there at the front, hard impassive eyes staring. How had he survived whilst George and her had been condemned? 
    The crowd was silent as Anne spoke with words so well rehearsed that she was able to say them without thinking. In her mind, she was already dead. She knelt, removing her ermine mantle to reveal a fragile pale neck, then drew a golden coin from the bespoke pocket in her red kirtle as the executioner approached to collect his fee.  
    “Don’t worry Anne, my mother and father were great warriors and I too was born to the sword.” 
    The voice was female and she recognised it immediately, the words tinged with the sonorous intonation of Spain. A flash of red hair caught the morning sun, framed against the black of the executioner’s hood. Anne’s scrambled mind tried to make sense of what she perceived, but she was too traumatised to speak.  
    “But you’re dead,” said her mind. 

    The woman laughed. “Not everything is as it seems. And not everything that seems is.”  
    Anne shivered as Catherine drew close, whispering into her ear with icy venom. 

    “I’m not dead. I am death.” 
    And before Anne could reply, her head was separated from her shoulders, prompting the crowd to give a polite round of applause. 

    Third Place: Hard Landing by John Quinn

    ‘In this story, the author took a very well-known piece of history, and put their own spin on it. I wasn’t born when man first walked on the moon, but this is such an iconic moment in history that it worked well in this context. The twist at the end was haunting, but not in the usual ghostly way, which was very clever.’ 

    It’s the most stressful 10 minutes in Neil Armstrong’s life – warning buzzers sound five times, each one on its own enough for the captain of the Apollo 11 mission to abort the moon landing.  But Armstrong chooses to override them all and continues to pilot lunar module Eagle the final 30,000 feet to the moons’ dusty surface. His decisions are life and death for him and fellow astronaut, Buzz Aldrin. But failure to be the first man to set foot on the Moon would destroy Armstrong’s own sense of destiny and be a savage blow to US prestige in the eyes of the estimated 650 million TV viewers entranced around the world. 

    Now, six hours and 39 minutes after touchdown, with Eagle safely settled on brittle rocks, systems checked and everything in place, is the moment that will define Armstrong’s life. The module’s external camera is focussed on the astronaut’s spacesuit and helmet as he steps from the Eagle’s ladder and plants his foot on the moon’s surface.  He breathes deeply and speaks the words that are immediately committed to history. ‘That’s one small step for man, one giant leap for mankind.’  

    Showing confidence remarkable for his 23 years, Steven Spielberg leans back in his collapsible wooden and canvas chair, the one with Director screen-printed on its back, smiles and calls, ‘Cut! That’s a wrap, well done everyone. We’ve already got the rest in the can. We’re done.’ 

    Only then do the dark-suited and cropped-haired agents appear from the shadows. They round up the small team of lighting and sound engineers, actors, set dressers and goffers. 

    Just Spielberg remains, alone and immobile, as his former colleagues are locked inside a dark fleet of armoured troop carriers, whose diesel engines fill the night with fumes and fury. The director shakes his head as he watches a dust plume engulf the convoy on its journey into the dark desert night. 

    Highly Commended: Stag by Robert Stuart

    ‘This story was quite clever in that the reader is led to think one thing, when the reality is very different. The author created a clear image of a lone Roman soldier, performing his eternal sentry duty, and then the sudden juxtaposition with the modern day was a very unexpected twist at the end. I very much enjoyed reading this one.’

    Gaius Metelius is on stag. Again. He seems to be doing a lot more than his fair share of sentry duty but there again, he is a very junior recruit, with no money to bribe the Centurion. The night is misty and he has to concentrate hard on his watch. There doesn’t appear to be another soldier either to the right or left of him and that is just not right. Still, there is a lot about this place that is not right. The weather, for a start. Gaius is from the south of Gaul, a Romano-Celt who misses the warm sunshine. By his reckoning, tonight must be Samhain, which is celebrated by all Celts, even in this benighted land of savages. And savage they are. He was on stag when they erupted into the city, led by that red-haired she-devil screaming for revenge and Roman blood. He remembers standing with the veterans in the Temple of the Devine Claudius here in Camulodunum and being terrified. He is only seventeen and this was his first taste of action. Strangely, he cannot remember waking up in Sick Bay. He can only remember a huge brute of an Iceni throwing a rock that hit his helmet. After that his memory is kind of hazy but he seems to have been on stag ever since. 

       ‘I told you there was something odd about that mist!’ Dan says excitedly, waving his mobile at the other University of Essex students who share the house. 

       ‘What?’ asks Mary. 

       ‘Look closely.’ Dan hands her the phone. 

       ‘That’s really weird. It looks just like a Roman soldier.’ 

       ‘Trick of the light. It was dark. Shadow from a car headlight, maybe,’ says Ian. 

       ‘Yeah, you’re probably right,’ says Dan. ‘Even so, creepy thing to happen on Hallowe’en.’ 

    And well done to everyone else who entered. Best of luck for next time! 

  • Advice and Resources for Writers: Support

    This post is brought to you by author and longtime Hampshire Writers’ Society member, B Random.

    Writing is escape, like meditation. It’s empowering. Enjoy it!

    Most important – join a writing group and get yourself a supporting circle of friends. Reading your early work out to a small group is harrowing at first but when you all do it, it brings you closer. 

    Wattpad is a great online writer resource anyone can use. It’s a great community to get feedback on your writing. Be aware that once you put it up there, it’s in the public eye and fair game for anyone else to use. So don’t post anything you want to keep to yourself.

    Artful Scribe – Arts Council funded Hampshire & Dorset Writers Development Agency, career devt, networking, business collabs and events, and free workshops – So: Write and Do: Write. 

    Joanna Penn – creative encouragement!

    Writers Online – lots of writing help and articles

    Writers Helping Writers – help and tips for writers

    Authors Publish Magazine – articles, publishers and competitions

    Inkers Con

    If you do decide to try an agent or publisher, be guided by the Writers & Artist Yearbook and get on their mailing list. Check out each agent/publisher and address your letter directly to them, making sure you get all the details right. Research goes a long way and a slip with a name can prove disastrous before they’ve even looked at your work.

    Write Mentor – paid courses for children’s writers – lots of support once you’re in and podcasts on the website

    Cornerstones Literary Consultancy  – Editors and other paid services with scouting to publish. Well thought of but expensive.

    Alternatively attend Writing Conferences and meet an agent in person. The I AM Writing Festival is right here in Winchester.

    Many large towns and cities hold a literary festival, so look them up. There are many around the country where you can hear authors speak for a small fee rather than a huge day/weekend charge. Many of them are still online and a lot can be found on YouTube.  

    Portsmouth Bookfest was bigger than ever last year, the Isle of Wight Literary Festival is just a ferry ride away, Worthing and Hastings are worth looking at too.  Exeter and Bath are within striking distance but so many are online now with You tube snatches available for free.  

    If you write sci-fi or fantasy check out comic-cons and Dr Who events. Southampton Comic con is due in July at the Ageas Bowl.

  • November 8th: Clare Whitfield

    November 8th: Clare Whitfield

    Join us at 7:30pm at the University of Winchester, Winton Room 5, for talks from our main speaker, author Clare Whitfield, with guest speaker David Keighley.

    Talks are free for members of the HWS. Visitor tickets £10 (£2 for students).

    Getting noticed in the Slush Pile

    Clare will talk about her journey to getting published. It’s a very difficult industry to break into and she will talk about how she secured a two book deal and agent on submission and the process from contract to publishing a debut novel, and what to expect. 

    Clare Whitfield was born in Morden in 1978 (at the bottom of the Northern line) in Greater London. After university she worked at a publishing company before going on to hold various positions in buying and marketing. She now lives in Hampshire with her family. Her debut novel, People of Abandoned Character, won the Goldsboro Glass Bell Award and was also short listed for the HWA Debut Award, and was also published by Head of Zeus. Her second novel, The Gone and the Forgotten, is out June 9th 2022.

    Our guest speaker is David Keighley, and the results of the November ‘Pitch your Novel’ competition will be announced.